A0014 – Llano Del Rio, A Map For An Other LA
A Map For an Other LA is the first guide produced by Llano Del Rio, a Los Angeles-based working group. The front of the two-sided poster is a loosely sketched marker drawing by Katie Bachler overlaid...
View ArticleA0017 – Emdur and Parker, How to Survive
This guide was given to participants who attended How To Survive, a two-day workshop organized by Alyse Emdur and Michael Parker. The zine provides step-by-step hand-drawn instructions for building...
View ArticleLFQ1.2 – Futurefarmers, Intervals
Futurefarmers produced this newsprint publication for the collective’s 2011 Intervals exhibition at the Solomon R. Guggenheim Museum. It contains the exhibition’s schedule of dialogues, talks, and...
View ArticleA0021 – Smith, Cries of San Francisco
The Cries of San Francisco (2011) was a sculptural installation and series of public events that took place at Southern Exposure gallery and in the streets of downtown San Francisco. The project,...
View ArticleLFQ2.2 – Ghana Think Tank, Esteemed Officer
“Esteemed Officer/Oficial Estimado” is the cordial greeting offered by this passing card, intended to mediate an uneasy immigrant-officer encounter. Ghana Think Tank members Christopher Robbins, John...
View ArticleLFQ2.1 – Landfill at Living as Form
On opening day of Living as Form, an exhibition on socially engaged practices organized by Creative Time in September 2011, participants constructed individualized issues of Landfill Quarterly using...
View ArticleA0022 – OurGoods, How OurGoods Works
OurGoods, a network and bartering platform founded in 2009 by Jen Abrams, Louise Ma, Carl Tashian, Rich Watts, and Caroline Woolard, encourages the production of independent projects by helping...
View ArticleA0023 – Time/Bank, Hour Note
Time/Bank currency is backed solely by the time and labor it represents. A one-hour note equals one hour of work regardless of the work’s value in the dominant economy: whether it is skilled or...
View ArticleLFQ3.3 – Escott, After the Continents Divorced
“What can I tell you my darling,” begins a letter signed by Alicia Escott and addressed to a tiny marsupial, declared extinct in 1994. One in an ongoing series of epistles that reanimates lost species...
View ArticleLFQ 4.2 – LMPC, Artworkers Hall
Cut from sandpaper and stamped with the word “Artworker,” these membership cards were distributed at a temporary Artworkers Hall established by the Lower Mainland Painting Co. (LMPC)* during a 2011...
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